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christine breihanChristine Breihan

Christine Breihan is a Los Angeles-based theater artist and educator. She helped developed and performed in Ghost Road’s Jocasta: A Motherf**king Tragedy and performed in their tour of Asterion in Wroclaw. Additionally, Christine has performed in theaters across Los Angeles including A Noise Within, The Fountain Theater, Sacred Fools, Theatricum Botanicum, Theater of NOTE, and Padua Playwrights. Christine is passionate about access to arts education and has worked as a teaching artist with The Unusual Suspects, The Virginia Ave. Project, and Center Theater Group. She is the School Programs Manager at Theatricum Botanicum, where she provides theater programming to thousands of young people across southern California.

Ronnie Clark

Ronnie Clark is a southern California native. After receiving his BA from Humboldt State University, he completed his MFA in Acting from California Institute of the Arts where he was first introduced to and worked with many of his Ghost Road compadres. Previous credits with GRC include: the title role in Asterion, Father in The Bargain and the Butterfly, Orestes/Agamemnon in Home Siege Home, Caliban in The Tempest, and Clotaldo in Sigismund in addition to conceiving/directing Ghost Road’s production of Stranger Things. He has also performed at A Noise Within, Theatricum Botanicum, and Moving Arts, in addition to five seasons with the Arizona Shakespeare Festival in Prescott, Arizona. In his spare time, he sleeps and dreams of having spare time.

 

Adam D

Adam Dlugolecki

Adam Dlugolecki has been a part of the Los Angeles theatre scene for most of his life. A founder of Scherzo Theatre Company and a 10+ year company member of the Knightsbridge Theatre Company, as well as appearing with such companies as West Coast Ensemble, Actor’s Co-op, and Ray Bradbury’s Pandemonium Theatre Company, Adam has enjoyed his theatre career thus far. Working on Ghost Road Company’s Asterion (from workshop to performance)was a welcome adventure for him. Both onstage and offstage credits line his resume, including actor, director, and designer. He is constantly searching for better, unique, and engaging ways to tell the stories of the human experience by exploring the infinite possibilities that a blank stage can offer.

 

Kim GlannKimberly Glann

A producer, actor and director, Kimberly earned her Los Angeles theatre chops as a member of the Moving Arts theatre company, where she discovered a love for new work — producing, directing and acting in numerous world premiere productions and leading the company as its Artistic Director from 2002 to 2005. Kimberly produced the world premiere of EM Lewis’ Song of Extinction, the inaugural production of [Inside] the Ford’s Winter Partnership Program that went on to win the LA Weekly Award for Best Production of 2008. She has been involved since 2009 in the site-specific theatre experience, The Car Plays. As an actor, she appeared in The Car Play All Dressed Up With Nowhere to Go, performing the piece 50 times over four day; she directed Blindspot and PCH; and in 2011 and 2012 produced The Car Plays: L.A. Stories, The Car Plays at Segerstrom Center for the Arts and The Car Plays: San Diego (La Jolla Playhouse). She produced The Mystery of Irma Vep (LA Weekly nominee for Best Revival 2009) and Ghost Road’s world premiere production, Stranger Things. She also appeared in Ghost Road’s production of Pantofelnik’s Suitcase in Warsaw and the recent production of Jocasta: A Motherf**king Tragedy. Kimberly is the Productions Marketing Manager at the Ford Theatres/LA County Arts Commission. An Ohio native, Kimberly graduated from Otterbein College, with a BFA in performance theatre.

IMG_0013John Guerra

John Guerra is a Latinx writer and dramaturge based in Los Angeles, California. Companies he has worked with include: the Blank Theatre, Coin & Ghost Theatre Company, the Fountain Theatre, Rogue Artists Ensemble, the T. Schreiber Studio, and the Vagrancy Theatre Company. In December 2019, his newest work will be developed as part of A Noise Within Theatre Company’s Noise Now program. He is also a 2019 participant of the Sundance Institute LA Theatre Intensive, and a company member for the 2019-20 PlayGround Writers Pool. To learn more about John, and to read some of his work, visit his page on New Play Exchange.

 

 


jenkaysJen Kays

Jen Kays is a Los Angeles based actress, painter and the Associate Artistic Director for Circle X Theatre Co. Jen has performed with Ghost Road on The Bargain and the Butterfly, Asterion, and in the title role in Jocasta: A Motherf**king Tragedy and helped develop those pieces. Jen also toured with the ensemble to Poland in 2013, 2016 and again in 2017.

 

 


Cricket Myers hs2

Cricket Myers

Cricket is a Los Angeles based Sound designer. In 2011, Cricket received a Drama Desk Award and a Tony Nomination for her design of Bengal Tiger at the Baghdad Zoo. She has been nominated for 23 Ovation Awards between 2007 and 2019. The nominations include Bent (dir Moises Kaufman), Endgame (dir Alan Mandel), Play Dead (dir Teller). In 2018, she was honored to receive the Ruth Morley Design Award from the League of Professional Theatre Women. Cricket was a finalist for the 2005 TCG/NEA Career Development Grant, and in 2003 won the USITT Young Designers Clear-Com Award for Sound design. Cricket serves on the Ovation Rules Committee, was a Founding Board Member and West Coast Rep of the Theatrical Sound Designers and Composers Association, and was elected to the Western Board of United Scenic Artists Local 829 in 2017, and serves as the Western Trustee to the Local Union Executive Board of USA. Cricket received her MFA in Sound Design from California Institute of the Arts in 2003, and is thrilled to be a member of Ghost Road Company, who she has been designing for since 2008.

 

 

Katharine Noon

Katharine Noon is the Artistic Director of the Ghost Road Company. A partial list of her Director/Conceiver credits includes Asterion at The Getty Villa, The Grotowski Institute in Wroclaw, and a previous workshop presentation at Atwater Village Theatre (2016-7). In 2015 a commission from the Polish Consulate in Los Angeles and the Mickiewicz Institute in Warsaw to direct A Couple of Poor Polish-Speaking Romanians by Dorota Maslowska at the Lillian Theatre in Los Angeles. The Bargain and the Butterfly that performed at South Coast Repertory Theatre in 2014, Kommuna Warsawa in Warsaw in 2013 and premiered in Los Angeles in 2013. Pantofelnik’s Suitcase by Malgorzata Sikorska-Miszczuk was staged at Atwater Village Theatre in 2011 and toured to the Korczak Festival in Warsaw in 2013. Stranger Things (collaborator/performer) premiered at the Ko Festival in Amherst and AVT in Los Angeles in 2011. Home Siege Home, an adaptation of the Oresteia in 3 parts (conceiver/director) performed at NaCl (New York), Arcata Playhouse, Getty Villa and [Inside] the Ford in 2008/2009. Other work includes Orestes Remembered: The Fury Project, Powerhouse Theatre and Fury Factory Festival in San Francisco. The company has made numerous trips to Poland to collaborate with companies such as Studium Teatralne and most recently Teatr ZAR. Katharine is also the recipient of the Lee Melville Award for contribution to Los Angeles Theatre and is a Professor in the Theatre Department at Loyola Marymount University.
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Mark SeldisMark Seldis

Mark Seldis is Producing Director of The Ghost Road Company with whom he co-created and directed Excavate the Monster at 24th Street Theatre and Duck[t] Tape Soup at Shakespeare Festival/LA. Mark also produced the tour of Clyt at Home to Amherst, MA, the various incarnations of Ghost Road’s Four Dervishes, the ensemble’s Oresteia adaptation (including Orestes Remembered, Elektra, and Home Siege Home), Stranger Things, The Bargain and the Butterfly (including at SCR and in Warsaw), and Asterion (including at The Getty Villa and in Wroclaw, Poland) in Los Angeles and on tour. In 2007, on behalf of Ghost Road he helped coordinate the Los Angeles productions of Suzan-Lori Parks’ 365 Plays/365 Days and co-directed Ghost Road’s week of the play. He has directed world premieres of two of Ken Urban’s plays (Absence of Weather for Moving Arts at LATC and Nibbler for Theatre of NOTE) and he directed one of The Car Plays for Moving Arts and FLASH Theatre plays written by Tom Jacobson and Oliver Mayer for Playwright’s Arena. In 1999 Seldis co-founded The Edge of the World Theatre Festival and in 2000 co-created the L.A. History Project for Edgefest. Mark also directed The Ovation Awards for three years and served as Managing Director and Producer for The Actors’ Gang for ten years. He recently completed a sixteen year tenure at The Music Center, first as Project Manager for Education, then as Program Manager for the Programming Department and continues to serve as Adjunct Faculty at Loyola Marymount University’s Theatre Department. He currently serves as Managing Director for the Ojai Playwrights Conference and is a recipient of the Lee Melville Award for Excellence in Los Angeles Theater.


Brian WeirBrian Weir

Originally from Portland, Oregon, Brian has been working as an actor/developer with Ghost Road since 1995. He is honored to have helped bring to life numerous productions including Asterion, The Bargain & the Butterfly, Stranger Things, Home Siege Home, Orestes Remembered: The Fury Project, Elektra, Four Dervishes, Carrots for Hare, Sigismund and the recent Jocasta: A Motherf**king Tragedy, which he conceived and directed. Mr. Weir has also been seen in several LA premieres including Zanna Don’t! (LADCC award, Ovation Nomination), Floyd Collins, Big: the Musical, The Sweetest Swing in Baseball (all for West Coast Ensemble), The Break Up Notebook (Hudson), Infinite Black Suitcase, The Car Plays (Moving Arts), Mommy Mommy The Musical Musical (Hudson), The Memorandum (Odyssey), All Soul’s Trilogy (Playwright’s Arena), Sleeping With the Ambassador (Collage Dance Theatre), and the original LA production of What’s Wrong with Angry (Celebration – GLAAD Nomination). After receiving his MFA from CalARTS he founded the improv company Those Meddling Kids !@#$ with seven amazing colleagues. Brian’s done a little bit of film and a little of TV . . . but it’s the theatre he loves. He feels blessed to have found an artistic home with such an inspiring and talented group of artists.


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