Brandon Baruch is an Ovation Award-winning lighting designer specializing in theater, opera, dance, and immersive performance. Collaborations with Ghost Road Company include Super Duper; The Dry Years; Jocasta: A Motherf**king Tragedy; and Asterion. His design work has also been seen at Center Theatre Group (Mark Taper Forum and Kirk Douglas Theatre), The Wallis, El Portal Theatre, REDCAT, The Ford Amphitheatre, Getty Villa, 5 Star Theatricals, Long Beach Opera, Opera Santa Barbara, Chicago Opera Theater, Apollo Theater Chicago, New York City Center, Jerry Orbach Theatre and across Southern California, regionally, internationally, and off-Broadway. Brandon frequently collaborates with interdisciplinary artist Derek Fordjour to design commissioned theater pieces which accompany Fordjour’s gallery installations. Fellow collaborators for these installations include director/writer Numa Perrier, magician Kenrick ICE McDonald, and director/choreographer Sidra Bell. Brandon also designs Liquid Light Flight, an annual, sustainable, solar-powered trapeze and aerial arts festival at Wild Arts Collective in New Paltz, NY. brandonbaruch.com
Christine Breihan is a Los Angeles-based theatre artist, movement specialist and educator. She has worked with award-winning companies across the city including Center Theater Group, A Noise Within, Padua Playwrights, The Fountain, Theatricum Botanicum, Theatre Roscius, Theater of NOTE, Sacred Fools, Project Nongenue, Bocón Arts, Creative Playground, The Unusual Suspects, The Blank, and Ghost Road Theater Ensemble. Internationally, she studied at the London Academy of Music and Dramatic arts and has performed at the Grotowski Laboratorium in Wroclaw, Poland. Upcoming projects include Theatre Roscius’ Medea: {Redux} at the Getty Villa and Modular-Movement-Motif at SiNS in Nova Scotia. She holds her BFA in Acting from Boston University, and her MFA from Loyola Marymount University, where she currently lectures in Movement and Acting. She is currently earning her CMA (Certified Movement Analyst) from the Laban/Barteneiff Institute of Movement Studies, and is a proud member of Actor’s Equity and SAG-AFTRA..
Ronnie Clark is a 25-year veteran of the Los Angeles stage and screen scene. He met many of his Ghost Road compadres while receiving his MFA from CalArts. Previous credits with GRC include the title role in Asterion, Father in The Bargain and the Butterfly, and Orestes/Agamemnon in Home Siege Home, in addition to conceiving/directing the Ghost Road Company’s production of Stranger Things. He has also performed at the Getty Villa, South Coast Repertory, Segerstrom Center for the Arts, La Jolla Playhouse, A Noise Within, Theatricum Botanicum, Moving Arts, Arizona Shakespeare Festival, and Shakespeare on the Bluff. In his spare time, he sleeps and dreams of having spare time. For screen credits and more information, visit his website.
Adam Dlugolecki has been a part of the Los Angeles theatre scene for most of his life, having worked with the Knighstbridge Theatre, West Coast Ensemble, Actor’s Co-op, and Ray Bradbury’s Pandemonium Theatre Company, to name a few. He is a founding member of Scherzo Theatre Company (8:03, YARN!, A Penny for Your Thoughts), a movement-based company rooted in physicality, farce, and the abstract. His Ghost Road Company credits (from workshop through performance) include Asterion, Jocasta: A Motherf**king Tragedy, and Super Duper!, as well as Movement Director for The Dry Years. He is constantly searching for better, unique, and engaging ways to tell the stories of the human experience by exploring the infinite possibilities that a blank stage can offer.
Liz Eldridge is an actor, writer and musician from LA. Theatre: Louise, Holiday Inn (Musical Theatre West), Dinah, Katy Cruel (Overtone Industries), Nurse, The Death of Medea (Theatre Rocius), Coach, LesbianLoveOctagon (Sorority), Lydia, Lydia Trueblood (Edinburgh Fringe), Ukulele Lady, Cafe Le Monde by Charles Mee (ARK) TV/FILM: Queenpins, Rutherford Falls, The Affair, I’m Dying Up Here, Devs, How to Get Away with Murder, The Middle, Shameless, Silicon Valley. Learn More: lizeldridge.com
John Guerra is a Latinx writer who left his home in Carpenteria, CA to make his fortune in the theatre. He never found his fortune, but he did become a 2019 Sundance Theatre fellow and a member of The Ghost Road Company. When he’s not creating with Ghost Road, he’s writing about class, California, and minotaurs. His work has appeared on stages across LA including: A Noise Within, The Blank Theatre, Coin & Ghost Theatre Company, The Fountain Theatre, Rogue Artists Ensemble, Will Geer’s Theatricum Botanicum, the Vagrancy Theatre Company, and Pomona College. His work has also been developed and produced by the T. Schreiber Studio in New York City. Writing credits include: The Last Best Small Town (Theatricum Botanicum – World Premier), (Troy) (California Institute of the Arts), The Room by The Sea, and The Dry Years (Ghost Road – World Premier). He holds his BA in Theatre from UC Irvine and an MFA in Writing for Performance from CalArts. John is a proud member of the Dramatist’s Guild. Read more of John’s work on New Play Exchange.
Jen Kays is a Los Angeles based actress, painter and the Artistic Director for Circle X Theatre Co. Jen has performed with Ghost Road on The Bargain and the Butterfly, Asterion, and in the title role in Jocasta: A Motherf**king Tragedy and helped develop those pieces. Jen also toured with the ensemble to Poland in 2013, 2016 and again in 2017.
Kelvin Morales is thrilled to join Ghost Road Company. The Los Angeles native was last seen as Val in Titus Kills with Day for Knight Productions. Other recent credits include: Paul in Ghost Road’s Sun City, Jasper in Knight of the Burning Pestle and Malcolm in Macbeth with Independent Shakespeare Company, Puck in A Midsummer Night’s Dream, Chiron in Titus Andronicus, Romeo in Romeo and Juliet, and Elliot in The Last, Best Small Town with Theatricum Botanicum.
Cricket Myers is a Los Angeles based Sound designer. In 2011, Cricket received a Drama Desk Award and a Tony Nomination for her design of Bengal Tiger at the Baghdad Zoo. She has been nominated for 23 Ovation Awards between 2007 and 2019. The nominations include Bent (dir Moises Kaufman), Endgame (dir Alan Mandel), Play Dead (dir Teller). In 2018, she was honored to receive the Ruth Morley Design Award from the League of Professional Theatre Women. Cricket was a finalist for the 2005 TCG/NEA Career Development Grant, and in 2003 won the USITT Young Designers Clear-Com Award for Sound design. Cricket serves on the Ovation Rules Committee, was a Founding Board Member and West Coast Rep of the Theatrical Sound Designers and Composers Association, and was elected to the Western Board of United Scenic Artists Local 829 in 2017, and serves as the Western Trustee to the Local Union Executive Board of USA. Cricket received her MFA in Sound Design from California Institute of the Arts in 2003, and is thrilled to be a member of Ghost Road Company, who she has been designing for since 2008.
Camila Rozo is a Colombian-born-LA-based actor with a soft spot for new works. Recent Ghost Road credits include: The Ally in Super Duper and Magda in Sun City. She also originated the role of Sabina in Janine Salinas Shoenberg’s Las Mujeres Del Mar directed by powerhouse Diane Rodriguez. A UCLA graduate, Camila worked on several exciting works including the West Coast premiere of Tanya Saracho’s Mala Hierba as Fabiola and as Lydia in Octavio Solis’s Lydia.
Mark Seldis s Producing Director of The Ghost Road Company with whom he co-created and directed Excavate the Monster at 24th Street Theatre and Duck[t] Tape Soup at Shakespeare Festival/LA. Mark also produced the tour of Clyt at Home to Amherst, MA, the various incarnations of Ghost Road’s Four Dervishes, the ensemble’s Oresteia adaptation (including Orestes Remembered, Elektra, and Home Siege Home), Stranger Things, The Bargain and the Butterfly (including at SCR and in Warsaw), Asterion (including at The Getty Villa and in Wroclaw, Poland), Jocasta: A Motherf**king Tragedy, The Dry Years, and Super Duper. In 2007, on behalf of Ghost Road he helped coordinate the Los Angeles productions of Suzan-Lori Parks’ 365 Plays/365 Days and co-directed Ghost Road’s week of the play. He has directed world premieres of two of Ken Urban’s plays (Absence of Weather for Moving Arts at LATC and Nibbler for Theatre of NOTE) and he directed one of The Car Plays for Moving Arts and FLASH Theatre plays written by Tom Jacobson and Oliver Mayer for Playwright’s Arena. In 1999 Seldis co-founded The Edge of the World Theatre Festival and in 2000 co-created the L.A. History Project for Edgefest. Mark also directed The Ovation Awards for three years and served as Managing Director and Producer for The Actors’ Gang for ten years. He spent 16 years at The Music Center, first as Project Manager for Education, then as Program Manager for the Programming Department and served as Managing Director for the Ojai Playwrights Conference from 2018-2023. He continues to serve as Senior Lecturer at Loyola Marymount University’s Theatre Department. He is a recipient of the Lee Melville Award for Excellence in Los Angeles Theater and was an Associate Producer on the films DEAD MAN WALKING and BOB ROBERTS, as well as the short film TURBANS for PBS.
Katharine Noon is the Artistic Director of the Ghost Road Company. Her credits include, The Dry Years (Collaborator/Performer) at The Broadwater in Los Angeles, Super Duper (Conceiver/Director) – Zoom experience, lyricist and co-book writer for Paderewski in America –
commissioned by the Mickiewicz Institute and presented at the Geffen Playhouse. Asterion (Conceiver/Director) at The Getty Villa, The Grotowski Institute in Poland, and Atwater Village Theatre (AVT). A commission from the Polish Consulate and the Mickiewicz Institute for A Couple of Poor Polish-Speaking Romanians (Director) in Los Angeles. The Bargain and the Butterfly (Conceiver/Director) at South Coast Repertory Theatre and Kommuna Warsawa in Poland. Pantofelnik’s Suitcase at AVT and the Korczak Festival in Poland. Stranger Things (Collaborator/Performer) at the Ko Festival in Amherst and AVT. Home Siege Home, an adaptation of the Oresteia (Conceiver/Director) at NaCl (New York), Arcata Playhouse, Getty Villa and [Inside] the Ford. She has made numerous trips to Poland with Ghost Road to collaborate with Studium Teatralne and Teatr ZAR. Katharine is on faculty in the Theatre Department at Loyola Marymount University where she teaches performance and directs. She is also the recipient of the Lee Melville Award for contribution to Los Angeles Theatre.
Brian Weir has been working as an actor/developer with Ghost Road since 1995. He is honored to have helped bring to life numerous productions including Asterion, The Bargain & the Butterfly, Stranger Things, Home Siege Home, Orestes Remembered: The Fury Project, Elektra, Four Dervishes, Carrots for Hare, Sigismund and the recent Jocasta: A Motherf**king Tragedy, which he conceived and directed. Mr. Weir has also been seen in several LA premieres including Zanna Don’t! (LADCC award, Ovation Nomination), Floyd Collins, Big: the Musical, The Sweetest Swing in Baseball (all for West Coast Ensemble), The Break Up Notebook (Hudson), Infinite Black Suitcase, The Car Plays (Moving Arts), Mommy Mommy The Musical Musical (Hudson), The Memorandum (Odyssey), All Soul’s Trilogy (Playwright’s Arena), Sleeping With the Ambassador (Collage Dance Theatre), and the original LA production of What’s Wrong with Angry (Celebration – GLAAD Nomination). After receiving his MFA from CalARTS he founded the improv company Those Meddling Kids !@#$ with seven amazing colleagues. Brian’s done a little bit of film and a little of TV . . . but it’s the theatre he loves. He feels blessed to have found an artistic home with such an inspiring and talented group of artists.